I watched an interesting movie yesterday while I was moping about, called Séraphine. It was a French movie about an average woman, leading a life of hardships, doing whatever jobs possible in 1927 France and who had a passion for painting. She thought she was given a blessing by god that pushed her to follow her gifts. She did not really understand why or where the divine inspiration actually came from, but was compelled to paint at whatever the cost. She was a middle-aged woman, older than myself, living in a place and time of poverty. Yet she found the greatest joy in nature and collected items from her environment to temper and color her paint, blood from a cow liver, mud from a creek, flowering plants by the roadside. She brought these elements into her small one room living space and spent the nights grinding these items into her paints, then created amazing images of that nature in vivid almost childlike impressions. The woman who played Séraphine Louis (Yolande Moreau) was mesmerizing at bringing such honesty and truth to the character. In the end she is discovered as an old lady. The success drove her mad, and she spends her last 10 years in an asylum, disconnected from nature and painting as her imagery becomes legendary.
I saw so many parallels between Séraphine and myself. For many years I have worked in a world of seclusion, being compelled to create something that I never quite understood. I have worked many jobs, just trying to make a living in order to survive. I know my desire is for the naked male, it is my divine inspiration. My connection to my own desires is so strong it often becomes intoxicating. Yes, I know gay men are supposed to become obsessed by sex and the flesh, but somehow it’s not the sex that I am drawn to, it the emotional feelings and what is stirred within those moments before or after sex that I am most fascinated with. It almost seems, to physically touch someone dispels the allure and the touch often leads where I have been so many times before, becoming lost or blinded by its emotional entanglement. I caress my subjects not with my hands, but with the light. I adore their beauty, idolize their skin for its soft silky textures and the way the light glistens on the nape of their neck. Sex is actually the furthest thing from my mind when I am shooting. Sure there are those moments when I become aroused by the process, and it is those moments when I know my images will gain their greatest potency, because I am truly in touch with the erotic core of my process. As Séraphine brought her connection to nature into her vision, I bring that world of sensuality and seduction I have known and longed for into my vision. I realize now it has been the core of my life. I am romantic at heart, I have always been romantic. I spend my nights grinding all the elements of my existence into the tools of my pallet. I have yet to make any money on this process and live my life on the edge of finical struggle. I have the skills, talents and tools to create something that is more viable and commercial, but then it’s really not my vision anymore and becomes something created for others. Though my style and approaches have changed, I am still true to myself and it still remains the journey into myself. I do fear the influence success could have on what I do and I think in many ways it sort of holds me in this place struggling to survive. I am the most content when I am creating. Though my focus is shifting toward self promotion, I still can step back into my world of beautiful light and find the security of those remarkable highly intimate moments with my subjects when the ordinary is allowed to become extraordinary.
I have spent this weekend in contact with John Douglas in Australia coming up with a plan or an idea to begin a new social network based on male nude or erotic art. He was the original founder of a site called Man Art, which is where I first began to show my images a year ago May and really what has lead me to here. Followers of the Blog will remember that Man Art was shut down last spring due to censorship issues on the server hosting it. Men on the Verge of a Pornographic Extinction I am now working with a Webmaster who has his own server and the whole thing has become private so there should be no possibility of censorship. It seems the distinction between pornography and art is often blurred. But to the people creating it, the ability to express one’s self, those lines are quite clear. And sure sometimes we push those boundaries, but that’s what a true exploration of artistic expression is. If we did the same things all the time it would become boring and our work stagnate. As artist we need to constantly be challenging our selves and the way we examine our existence. And to have that social network in one common place where we can interact and feed each other is essential. For many years I worked in a hidden world. I knew what it was I wanted to do, but creating such art in a place like Montana was totally unacceptable and still taboo. But in all honest the naked male form is still taboo in most parts of the world. It’s funny that a man taking his cloths off in a football stadium faces sieve legal action while everywhere I wandered in Paris I saw open displays of statuary of full frontal exposed male nudity in most every public park. Unfortunately the private parts have been chiseled off some of the most remarkable pieces by various religions through out history that found that item of the male anatomy unacceptable. But gazing at the remarkable beauty of those statues where those bits still remained in tact it really doesn’t become the focus of the art. It actually has the opposite effect, because we are more drawn to what was removed. After centuries of growth and enlightenment we live in a world where people are still trying to dismember the penis. For god’s sake it’s a part of who we are, half of the world has a penis. I digress.
I began to realize yesterday what a dream life I have. I am creating and living in a fantasy world that many people only dare dream to enter. Though some of the imagery may not always be that interesting, it is the process of creating it and the connection to the subjects that is really the fascinating part of this type of work. Since my regular work schedule has now shifted from mid afternoon to early evening, I am having to shift my shooting schedule to later evenings. There is something about shooting in a dark studio that becomes seductive and alluring. I mostly use a strobe system that over powers all light so it does not matter if I am shooting in a studio filled with daylight or at night only using the modeling lights from the strobes. I know the effect and how the light works so well, that I can perfect it without even seeing the actual results on the subject. But at night when the subjects are surrounded by darkness and they can only see themselves in the mirror across the room in the beautiful light I have bathed them in, something magical begins to emerge from their personalities as their inhibitions begin to drop. I tend to choose music that many people do not know, that has a hypnotic quality to it that allows the subjects to become lost and delve deeper within themselves. When the subject looks away and becomes unaware of my presence in the space and lets go of themselves these become moments I really look to capture.
When I was first getting into photography and still shooting on film, I had a young gay man come into my studio whom I wanted to shoot nude. He was very excited by the prospect of seeing what we could create together. His only stipulation was that he did not want any pictures where he would be naked and show his face in the same image. He was okay with doing nude torso images from the neck down or face pictures from the waist up. I agreed and said I would work within those parameters. Hey, I had a live model who was willing to strip down and allow me to light and explore him naked through my photographic process.
