I have spent this weekend in contact with John Douglas in Australia coming up with a plan or an idea to begin a new social network based on male nude or erotic art. He was the original founder of a site called Man Art, which is where I first began to show my images a year ago May and really what has lead me to here. Followers of the Blog will remember that Man Art was shut down last spring due to censorship issues on the server hosting it. Men on the Verge of a Pornographic Extinction I am now working with a Webmaster who has his own server and the whole thing has become private so there should be no possibility of censorship. It seems the distinction between pornography and art is often blurred. But to the people creating it, the ability to express one’s self, those lines are quite clear. And sure sometimes we push those boundaries, but that’s what a true exploration of artistic expression is. If we did the same things all the time it would become boring and our work stagnate. As artist we need to constantly be challenging our selves and the way we examine our existence. And to have that social network in one common place where we can interact and feed each other is essential. For many years I worked in a hidden world. I knew what it was I wanted to do, but creating such art in a place like Montana was totally unacceptable and still taboo. But in all honest the naked male form is still taboo in most parts of the world. It’s funny that a man taking his cloths off in a football stadium faces sieve legal action while everywhere I wandered in Paris I saw open displays of statuary of full frontal exposed male nudity in most every public park. Unfortunately the private parts have been chiseled off some of the most remarkable pieces by various religions through out history that found that item of the male anatomy unacceptable. But gazing at the remarkable beauty of those statues where those bits still remained in tact it really doesn’t become the focus of the art. It actually has the opposite effect, because we are more drawn to what was removed. After centuries of growth and enlightenment we live in a world where people are still trying to dismember the penis. For god’s sake it’s a part of who we are, half of the world has a penis. I digress.
The one thing that is missing from the Internet is this social network of artist who can share their common idealism, unafraid. I still see people being censored on Facebook and my own account deactivate earlier this year. I dream, I dream of a place where all men are created equal, a place where we can express and explore our true identities, idealism and feelings without fear of being emasculated.
Another game day in Montana, today we play Eastern Washington and it should be one of the best games of the season. Last week there was a young man who jumped down to the field in the 2nd quarter in just his shorts, ran out into the middle of south end of the field, dropped his shorts and began to run around naked. Of course it brought the game to a halt as the 35,000 fans watched this man run around nude. We have had streakier before and typically security is all over them and has them off the field before you even realize what’s happening. But for some reason security just let him go, it was like they couldn’t enter the field and had to wait for him to come off. I think this naked man was as surprised as the crowd and he grabbed a megaphone and began to dance around the field taunting his now captive audience. After some time he did go off the field, was cuffed and then paraded completely around the field, still naked, to be escorted to the team locker rooms.
Last night was utter bliss. I am back to shooting again. It is the first time I have shot since I returned from Europe and it is some of the best stuff I have done to date. An old friend, John, who was one of the original people I began photographing 2 years ago, after I had finished the studio was the subject. It was kind of the turning point for me when I was getting serious about shooting nudes of men. In fact he is the first person I coaxed off Manhunt to come and work with me. We have done several shoots over the years. He disappeared for a long time going on a very long walkabout across the lower western USA for about half a year, so I had not seen him in a while. We just instantly began working and I felt a connection to the process that I have only seen in the works of others. While I was in Berlin I had met a photographer Dragan Simicevic who left quite an impression on me. His approach and style was so simplistic yet contained such magnetism: he only chooses a couple of images from each shoot. I began to feel that deeper connection to John last night and everything we shot was golden. I did not feel my regular compulsion to over shoot, but had felt satisfied with a minimal amount of shots. This is the way I used to shoot when I was working in film, mostly because of the expense and time it took to develop so much film. Last night the focus was stronger and John was right on with feeding me exactly what I needed. He has such a natural presence that he is just fun to watch even when we are not shooting. It turns out he is homeless, so I have offered him the loft above the studio where is can crash for a short while until he can get back up on his feet and he is willing to work around the inconvenience of my shooting schedules.
There always seems to be a moment of truth when the ones that are so close to us leave. I feel a bit empty and lonely this morning as Glenn heads to work in North Dakota for the next couple of months. This happens every year that he goes off to do this particular job, but the first day is always the hardest. It’s a moment where I face myself and begin to put our relationship into perspective. I see how much I tend to take relationships and sometimes the people around me for granted. It is my nature to always be aimed at the target and I feel everyone around me believe so much in my visions, they help me remain focused. I love this about Glenn, he has always seen the truth of what I do, admires it, respects it, and has been supportive from the very beginning even when he doesn’t quite understand it. With Glenn he forces me to take breaks and make sure I am eating and makes sure all the household things are taken care of. I grow so accustomed to everything being handled. I don’t feel like I take advantage of him at all, because I don’t really expect it, but it’s what he likes to do, however when it’s always available I often begin to rely on it too much when I actually enjoy doing so much of this for myself.
I am starting to reconnect with some of the subjects I have shot in the past and this week will begin shooting with them again. It’s always fun to go back and shoot with people I have worked with before, because you already have that instant working relationship. I have a strong desire this week to get back to that Caravaggio lighting style I began working with at the beginning of the year. The staging and set up for this style seems to take the entire studio space to create the balance of light I am looking for. It’s not just lights, but layers of scrim filters upon filters. More goes into blocking and controlling the light to a confined space then actually allowing the light through. I have today off without much distraction. We were supposed to begin putting the web site together and I had scheduled all day to work on it, but we are having a problem loading the templates and are waiting to hear back from the designers, who are in Europe. Most of the information has been gathered and written and is ready to insert once it’s installed. This gives me today to focus on research and looking through old paintings to find that inspiration for the upcoming shoots this week. This is really the favorite part of the process, researching and figuring out what it should or needs to look like. I saw so many paintings in the Louver while I was in Paris that seemed to contain the feeling and essence of where I want to go. It is to touch the core of raw emotions and get to what makes us vulnerable. One of the patrons I have met suggested that I need to begin a series of self-portraits, exposing myself in my own style. The shooting this week will become an exploration of where that self-examination can begin, of looking at how I fit within the structure of my own process. I am hoping to see a more positive image of my physical self begin to emerge. Sometimes this is the hardest thing an artist must do, set aside their preconceived ideas of who they have become and see who they actually are. Mapplethorpe was brilliant at this, to face himself so unafraid without compromise. I began the year and the first blog with a self-portrait of myself and now it’s time to revisit myself once more.
